Bach Bibliography Search Result

Series : ^[ce]Marshall$
Year : 1989
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Marshall, Robert L.	Bach, Johann Sebastian. [Repr from Encyclopaedia Britannica, 15th edition, II, pp.556-561]	[ce]Marshall			1989	3-20
	2.	Marshall, Robert L.	Bach the Progressive: Observations on His Later Works. [Repr. from MQ, lxii (1976), pp.313-357] (pp.54-58 is a postscript)	[ce]Marshall			1989	23-58, 295-303
	3.	Marshall, Robert L.	Bach's Orchestre. [Repr. from EarlyM xiii (1985), pp.176-179]	[ce]Marshall			1989	59-63, 303
	4.	Marshall, Robert L.	On Bach's Universality. [Repr. from Martin Heckscher et al (ed.), The Universal Bach: Lectures Celebrating the Tercentenary of Bach's Birthday. Fall 1985. Philadelphia: American Philosophical Society, 1986, pp. 50-81] [BWV 78]	[ce]Marshall			1989	65-79, 303-304
	5.	Marshall, Robert L.	'Composing Scores' and 'Fair Copies'. [Repr. of 'Introduction' in Cantata Autographs in American Collections, New York: Garland publishing 1986, pp. vii-xv] [BWV 131, 10, 33, 171, 112, 97, 9, 118]	[ce]Marshall			1989	83-110, 304-305
	6.	Marshall, Robert L.	The Sketches. [Repr. of 'Musical sketches in J. S. Bachs cantata autographs', in Studies in music history; essays for Oliver Strunk, ed. Harold S. Powers, Princeton, N.J.; Princeton U.P, 1968, pp.405-427] [BWV 117, Anh. 2, 232, 29, 183, 198, 133, 215, 39]	[ce]Marshall			1989	111-129, 305-308
	7.	Marshall, Robert L.	The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. [Repr. of 'Commentary', Johann Sebastian Bach, Herr, gehe nicht ins Gericht (BWV 105). Faksimile nach dem Partiturautograph der Deutschen Staatsbibliothek Berlin mit einem Nachwort hrsg. von Robert Marshall. Leipzig: Zentral-Antiquariat der DDR; Neuhausen-Stuttgart: Hänssler, 1983, pp. 5-7]	[ce]Marshall			1989	131-142
	8.	Marshall, Robert L.	The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. [Repr. from Studies in Renaissance and Baroque music in Honor of Arthur Mendel. - Kassel [u.a.]: Bärenreiter; Hackensack, NJ: Joseph Boonin, 1974, pp.165-182]	[ce]Marshall			1989	143-159, 308-312
	9.	Marshall, Robert L.	On the Origin of the Magnificat: A Lutheran Composer's Challenge. [Repr. from Bach Studies, ed. Don Franklin. Cambridge: Cambridge Univ. Press, 1988, pp.3-17]	[ce]Marshall			1989	161-173, 312-313
	10.	Marshall, Robert L.	The Mass in B Minor: The Autograph Scores and the Compositional Process. [Repr. of 'Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs', MKirche, l/5 (1980), pp. 230-239]	[ce]Marshall			1989	175-189, 313-314
	11.	Marshall, Robert L.	The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. [Repr. of 'Introduction', Johann Sebastian Bach, Fantasia per il Cembalo. BWV 906. Facsimile Edition. Kassel [u.a.]: Bärenreiter, 1976, pp. [2-7]]	[ce]Marshall			1989	193-200, 314-316
	12.	Marshall, Robert L.	The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. [Repr. from JAMSoc, xxxii (1979), pp.463-498] Postscript, p.225.	[ce]Marshall			1989	201-225, 316-328
	13.	Marshall, Robert L.	'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). [Repr. of 'Reviews of Records. Johann Sebastian Bach: The Complete Cantatas.' [Vols. 1 and 2 of the Telefunken Series, Nikolaus Harnoncourt and Gustav Leonhardt, conductors], MQ, lix (1973), pp.145-159]	[ce]Marshall			1989	229-239, 328-331
	14.	Marshall, Robert L.	'Editore traditore': Suspicious Performance Indications in the Bach Sources. [Repr. of 'Editore traditore: Ein weiterer 'Fall Rust'?', in Wolfgang Rehm (ed.), Bachiana et alia Musicologica. Festschrift Alfred Dürr zum 65. Geburtstag am 3. März 1983. Kassel [u.a.]: Bärenreiter, 1983, pp. 183-191] Postscript, p. 254.	[ce]Marshall			1989	241-254, 331-333
	15.	Marshall, Robert L.	Tempo and Dynamics: The Original Terminology. [Repr. of 'Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology', Peter F.Williams (ed), Bach, Handel, Scarlatti Tercentenary Essays. Cambridge: Cambridge Univ. Press 1985, pp. 259-276]	[ce]Marshall			1989	255-269, 333-337
	16.	Marshall, Robert L.	Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. [Repr. of 'Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works', in George B. Stauffer and Ernest May (eds.), J. S. Bach as Organist. His instruments, music and performance practices. - London: B. T. Batsford Ltd., 1986, pp. 212-239]	[ce]Marshall			1989	271-293, 337-339
	17.	Marshall, Robert L.	The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. New York: Schirmer Books, 1989. xxiii, 375p.	[ce]Marshall			1989	xxiii, 375p